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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">research-focus</journal-id>
      <journal-title-group>
        <journal-title>Research Focus International Scientific Journal</journal-title>
        <abbrev-journal-title abbrev-type="publisher">Research Focus</abbrev-journal-title>
      </journal-title-group>
      <issn pub-type="epub" publication-format="electronic">2181-3833</issn>
      <publisher>
        <publisher-name>Ilm-fan va innovatsiyalar akademiyasi</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">10.66073/researchfocus.v3i5.2694</article-id>
      <article-id pub-id-type="other" assigning-authority="relibrary.uz">REL-A-013630</article-id>
      <article-categories>
        <subj-group subj-group-type="oak">
          <subject>10.00.00</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title xml:lang="uz">O‘ GENRI HIKOYALARI JOZIBADORLIGIDA KINOYA VA ISTEHZONING O‘RNI VA ULARNING TARJIMADA QAYTA TIKLANISHI</article-title>
        <trans-title-group xml:lang="en">
          <trans-title>THE ROLE OF IRONY AND IRONY IN THE APPEAL OF ‘HENRY‘S STORIES AND THEIR RECOVERY IN TRANSLATION</trans-title>
        </trans-title-group>
        <trans-title-group xml:lang="ru">
          <trans-title>РОЛЬ ИРОНИИ И ИРОНИИ В ПРИВЛЕКАТЕЛЬНОСТИ РАССКАЗОВ ГЕНРИ И ИХ ВОССТАНОВЛЕНИИ В ПЕРЕВОДЕ</trans-title>
        </trans-title-group>
      </title-group>
      <contrib-group content-type="author">
        <contrib contrib-type="author">
          <string-name>Matchanova Mohinur Otabek qizi</string-name>
          <aff>Urganch Davlat Universiteti, Xorijiy filologiya fakulteti, roman-german filologiyasi kafedrasi magistranti</aff>
        </contrib>
      </contrib-group>
      <pub-date publication-format="electronic" date-type="pub" iso-8601-date="2024-06-05">
        <day>05</day>
        <month>06</month>
        <year>2024</year>
      </pub-date>
      <pub-date date-type="collection">
        <year>2024</year>
      </pub-date>
      <volume>3</volume>
      <issue>5</issue>
      <fpage>81</fpage>
      <lpage>84</lpage>
      <permissions>
        <license xlink:href="https://creativecommons.org/licenses/by/4.0">
          <ali:license_ref>https://creativecommons.org/licenses/by/4.0</ali:license_ref>
          <license-p>Ushbu asar Creative Commons Attribution 4.0 International litsenziyasi asosida litsenziyalangan.</license-p>
        </license>
      </permissions>
      <self-uri xlink:href="https://relibrary.uz/REL-A-013630/"/>
      <abstract xml:lang="uz">
        <p>O‘ Genri inson tabiati, ruhiyati va qahramonlarning hayotidagi voqeliklarni kinoya va istehzo orqali ochib beradigan qisqa hikoyalari bilan mashhur. Uning hikoya qilish uslubi ko‘pincha kutilmagan burilishlar, istehzoli suhbatlar va achchiq kulguni o‘z ichiga oladi, bularning barchasi yozuvchi hikoyalarining ta‘sir doirasini doimiy saqlab turishga hissa qo‘shadi. Ushbu maqola O‘ Genri asarlari tarjimasida har bir hikoyadan anglashilgan maqsadni, qahramonlar ruhiyatini va ayniqsa, kinoya tilini tushinishdagi muammolarni yoritib berishga harakat qiladi.</p>
      </abstract>
      <trans-abstract xml:lang="en">
        <p>Henry is known for his short stories that reveal the realities of human nature, psyche, and characters‘ lives through irony and irony. His storytelling style often includes unexpected twists, sarcastic dialogue, and wry laughter, all of which contribute to the enduring impact of the author‘s stories. This article tries to shed light on the purpose of each story in the translation of Henry‘s works, the psyche of the characters, and especially the problems of understanding the language of irony.</p>
      </trans-abstract>
      <trans-abstract xml:lang="ru">
        <p>Генри известен своими рассказами, которые через иронию и иронию раскрывают реалии человеческой природы, психики и жизни персонажей. Его стиль повествования часто включает неожиданные повороты, саркастические диалоги и ироничный смех, и все это способствует непреходящему воздействию рассказов автора. В данной статье делается попытка пролить свет на предназначение каждого рассказа в переводе произведений Генри, психику героев и особенно проблемы понимания языка иронии.</p>
      </trans-abstract>
      <kwd-group xml:lang="uz">
        <kwd>kinoya</kwd>
        <kwd>istehzo</kwd>
        <kwd>tarjima</kwd>
        <kwd>asl matn</kwd>
        <kwd>hikoya</kwd>
      </kwd-group>
      <kwd-group xml:lang="en">
        <kwd>irony</kwd>
        <kwd>translation</kwd>
        <kwd>original text</kwd>
        <kwd>story</kwd>
      </kwd-group>
      <kwd-group xml:lang="ru">
        <kwd>ирония</kwd>
        <kwd>перевод</kwd>
        <kwd>оригинальный текст</kwd>
        <kwd>рассказ</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <back>
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        <label>1</label>
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    </ref-list>
  </back>
</article>
